An Advanced Training Program for
Emerging Professionals and Accomplished Students
of Historically Informed Performance Practice
August 3-16, 2015
Now accepting applications
Deadline: FEBRUARY 16, 2015
The AMERICAN BACH SOLOISTS ACADEMY is an advanced training program for emerging professionals and accomplished students of historically informed performance practice. The ACADEMY offers unique opportunities to study and perform Baroque music in a multi-disciplinary learning environment with the distinguished roster of the American Bach Soloists—named “the best American specialists in early music” by The Washington Post— gaining the perspectives of eminent and highly acclaimed professional artists from a variety of disciplines. In addition to in-depth coachings and technical studies with masters of their particular instruments, string players, wind and brass players, continuo and keyboard players, and singers work together with all faculty members.
Each day during the multi-week program, students will work in a master class environment with their teachers, rehearse ensemble works in collaboration with their new colleagues, and prepare for chamber performances and large-scale productions in which ACADEMY participants perform along with the faculty, working side-by-side. Most afternoons include presentations by faculty members on a variety of relevant topics including performance practice, Baroque studies, and historical contexts. Additionally, forums are offered on topics such as career development, recording and technology skills, and tuning and temperaments.
The ACADEMY is held in the San Francisco Conservatory of Music’s exquisite facilities in the heart of the city’s arts district, offering state-of-the-art performance halls, classrooms, practice rooms, and teaching studios. During the course of the program, students and faculty present public concerts including Chamber Series programs, “Academy-in-Action” concerts, concert-version Baroque opera or oratorio, and annual performances of Bach’s Mass in B Minor. Additional ACADEMY events include colloquia, public lectures and master classes, and special performances including the Distinguished Artist Series.
NEW THIS YEAR
Our new Academy Auditor Affiliates program is open to directors of early music ensembles, workshop organizers, and early music educators, academics, and administrators. Auditor Affiliates have full access to all Academy activities and performances, and also participate in roundtable sessions to compare notes with fellow auditors, ask questions of Academy Faculty, and Q&A with the Academy directors to address all queries about recruitment, scheduling, and implementation of a program of this scale. More information available here.
Elizabeth Blumenstock, violin & viola
Max van Egmond, voice
Corey Jamason, harpsichord
Steven Lehning, violone & contrabass
Judith Malafronte, voice
Robert Mealy, violin & viola
Sandra Miller, flute
Debra Nagy, oboe & recorder
William Sharp, voice
Kenneth Slowik, viola da gamba & violoncello
William Skeen, violoncello
Dominic Teresi, bassoon
John Thiessen, trumpet
Jeffrey Thomas, conductor