Do you have your tickets for the 5th annual ABS Festival & Academy yet? This summer’s event, which will take place at the San Francisco Conservatory of Music from July 11-20, promises to be the best Festival ABS has offered to date. Titled “Bach’s Inspiration,” the 9 performances, 5 lectures, 5 master classes, and a public colloquium titled “Baroque Instruments and Performers, Then and Now: Creating a New Fusion of Styles and Tastes” comprise a 10-day immersion in the music and culture of the Baroque, specifically the works that inspired ABS’s namesake, J.S. Bach. Musical delights and discoveries await Baroque music connoisseurs and newcomers alike.
As in year’s past, Festival concerts will attract music lovers from far and wide. The opera / oratorio program this year will be Handel’s pastoral ode L’Allegro, Il Penseroso ed il Moderato, there will be two performances of Bach’s great Mass in B Minor, and 2014 Distinguished Artist soprano Mary Wilson will be featured in a program highlighting the “Italian side” of Bach. There will also be three evenings of “Academy-in-Action” concerts to showcase the talents of the emerging artists participating in the ABS Academy who are poised to become the next generation of Early Music stars.
2014 Festival Opening Night: Bach’s Inspiration, Part I
To inaugurate this year’s Festival, a special 2-part program curated by ABS Artistic & Music Director Jeffrey Thomas will present a host of selections over two evenings featuring the work of composers who directly influenced and inspired the young Bach. In “Bach’s Inspiration Parts I & II” on Friday July 11 and Saturday July 12, compositions by Dieterich Buxtehude, Alessandro Marcello, Giovanni Battista Pergolesi, Georg Melchior Hoffmann, and many others, including Bach’s uncle Johann Christoph, will be performed alongside works by J.S. Bach.
Oboe Concerto by Marcello became Bach Harpsichord Concerto
Among the highlights of the first night will be Alessandro Marcello’s Concerto for Oboe in D Minor, a piece that Bach would later rearrange for harpsichord solo (BWV 974). While Bach’s piece has become famous in our time (the second movement especially is often heard as an encore by concert pianists, and Glenn Gould made a famous recording of the complete work), the original oboe concerto is a rare delight that is infrequently performed. On opening night ABS oboist Debra Nagy will be the soloist as Jeffrey Thomas and ABS perform this Italian work which clearly fired Bach’s imagination and which is still an extraordinarily beautiful composition to experience hundreds of years later.
Bach Adapts Pergolesi’s Stabat Mater
Also on opening night, two fantastic vocal soloists, soprano Mary Wilson and countertenor Eric Jurenas, will join Thomas and ABS for a performance of Tilge, Höchster, meine Sünden, Bach’s transcription and arrangement of Giovanni Battista Pergolesi’s Stabat Mater. Pergolesi managed to compose several important works during his brief life (he died of tuberculosis at the age of 26), but his Stabat Mater for soprano, alto, and string orchestra with basso continuo is arguable his most enduring work. Bach took the young Italian’s soaring operatic lines and added his own inimitable penchant for counterpoint and texture to create a new work that yields an entirely different kind of impact and effect. With soloists like Wilson and Jurenas singing before the outstanding forces of ABS, this will surely be one of the hottest tickets of the summer!
Saturday Night – Bach’s Inspiration continues with Part II
Saturday night continues the exploration of works by composers who inspired Bach with another outstanding program. Among many other exquisite works will be Meine Seele rühmt und preist, an emotionally charged cantata by Georg Melchior Hoffmann. Hoffmann was an active musical figure in Leipzig in the years before Bach arrived, playing in the city’s collegium musicum and eventually succeeding its founder, Georg Philipp Telemann, as director. He also succeeded Telemann as the music director of the Neukirche, while also conducting performances of his own operas at the Leipzig civic opera in the first decades of the eighteenth century. Like Pergolesi, Hoffmann also died young (in 1715 at the age of 37) and his death left a tremendous void in Leipzig’s musical life, a space that would soon be filled when Bach became Thomaskirche Cantor in 1723. Despite a prodigious output, very little of Hoffmann’s music survives and the authorship of some of his sacred works has been confused with Bach’s works. The performance of Hoffmann’s cantata, a piece long thought to be one of Bach’s, will feature tenor Derek Chester as soloist with Thomas leading the ABS orchestra.
Also on the program will be two works—Mit Fried un Freud ich far dahin and Klaglied—by one of Bach’s idols, Dieterich Buxtehude. Nicolaus Bruhns, a pupil of Buxtehude, and Johann Adam Reincken, one of the Lübeck organist’s associates, will be represented by a sacred aria and partita, respectively. All three of these prominent North German musicians exerted powerful influences upon J.S. Bach.
And finally: Bach!
After intermission of the July 12 concert, ABS will perform mature works by Bach composed after he had absorbed all he could from his forebears, peers, and colleagues. Baroque trumpet virtuoso John Thiessen will be one of the soloists on Bach’s second Brandenburg Concerto, the heart-rending secular cantata Amore traditore will feature baritone William Sharp and harpsichord Corey Jamason as dual-soloists, and the fiendishly difficult trio sonata from the “Musical Offering” all will serve as examples of Bach’s mastery of all he had learned as well as his ability to thrill musicians and audiences all these years later in 2014.
The full programs of “Bach’s Inspiration Parts I & II” and tickets may be found on our website, sfbachfestival.org or by calling the ABS Office at (415) 621-7900.