Interview with ABS soprano, Kathryn Mueller

Kathryn Mueller, soprano

Kathryn Mueller, soprano

On Saturday, August 15, soprano Kathryn Mueller will sing soprano–trumpet duets with 2015 ABS Festival & Academy Distinguished Artist, trumpeter John Thiessen. We asked Ms. Mueller about her activities since ABS audiences last heard her in February 2015 and her preparations for the Distinguished Artist concert on August 15.

Many ABS fans last heard you as a soloist in the 2014 program “Bach’s Hercules.”   Where have your musical journeys taken you since?

Since that great program with ABS, I’ve been busy. I’ve sung with Santa Fe Pro Musica, the Grand Rapids Symphony and Mobile Symphony, in Boston with Musicians of the Old Post Road, Miami with Seraphic Fire, and in Ann Arbor on tour with Wayward Sisters. Locally here in North Carolina I’ve performed at the Eastern Music Festival with Gerard Schwarz, and at East Carolina University where I teach. I also just had my Carnegie Hall debut in April, singing the Mozart Vespers; that was a thrill.

What are the particular challenges and rewards of Scarlatti’s Su le sponde del Tebro?

I’ve always wanted to sing Scarlatti’s soprano–trumpet duets, and I’m excited to have my first performance of Su le sponde del Tebro with John [Thiessen] and ABS. It’s a multi-movement cantata, so part of the challenge is creating a dramatic arc through the work to portray the changing emotions of the poor lonely shepherd of the story. Having several contrasting arias (from bombastic to poignant) and recitative sections in one work makes it very interesting for me as the performer. My most intense preparation goes into making sure the text flows off my tongue smoothly and articulately. The first and final arias have quite trumpet-y vocal lines, yet I still have to get in a lot of Italian, sometimes with multiple syllables on a quick sixteenth note!

Handel’s “Let the bright seraphim” is also on the program. How does it differ from the Scarlatti cantata? Do they require different preparation?

The main difference with “Let the bright seraphim” is that it’s an oratorio aria, excerpted from the end of Handel’s Samson. It’s a famous showpiece, and it makes audiences and performers smile. Also, it’s in English and there’s always something more direct about singing to an audience in our native language. There is fun interplay between the soprano and the trumpet, and like Scarlatti’s cantata, it’s a true duet between soprano and trumpet.

Are there any composers or pieces you would like to explore further?  Any favorite pieces you would love to perform?

I adore singing Purcell, Handel and Bach. Recently I’ve had the great fortune to perform some of the pieces long on my wish list – the Handel Gloria, Pergolesi’s Stabat Mater – and now it’s time to add some new things to the list. I’ve sung Bach’s Cantata 51 “Jauchzet Gott” a couple times with modern trumpet, and I’d love a chance to sing it with baroque trumpet. I think it is a completely different experience with the instruments that Bach had in his ear and mind.

What are some of your favorite things to do when visiting San Francisco?

I was born in San Francisco but moved away when I was 18 months old. It’s always fun to return and make memories since I don’t have any from back then! I love to walk through the different neighborhoods and to see the water. The main way I tourist around any city is by eating, and oh does San Francisco have some great food! I’m an ice cream fanatic; when ABS is in Berkeley, I cross my fingers that the line isn’t too long for custom-made ice cream sandwiches at Cream.

A few tickets remain for the August 15 Distinguished Artist concert with John Thiessen, Kathryn Mueller, and musicians of ABS. Please visit the Festival website or call the ABS office at (415) 621-7900.