We are thrilled to let you know that countertenor Aryeh Nussbaum-Cohen, a participant in the 2015 ABS Academy, has been named a Winner in the 2017 Metropolitan Opera National Council Finals held today in New York City’s Metropolitan Opera House. The Grand Finals Concert was hosted by Renée Fleming, a 1988 National Council Winner, and featured Nicola Luisotti conducting the Metropolitan Opera Orchestra as each finalist performed two arias.
Praised by the San Francisco Chronicle as a “vocal powerhouse” and for the “expressive depth” of his singing, and acclaimed for his “soaring, otherworldly voice” by the Houston Chronicle, Aryeh Nussbaum-Cohen is quickly making his mark in the worlds of opera and early music. In his breakout 2016-2017 season, in addition to being named a Grand Finals Winner (as well as being named the Audience Choice Award Winner in the Eastern Region) in the Metropolitan Opera National Council Auditions, he is the First Prize Winner in the Houston Grand Opera Eleanor McCollum Competition, and winner of the Irvin Scherzer Award as a Finalist in the George London Foundation Competition. His season also includes concerts with the Newberry Consort in Chicago and Operamission in New York City. In the summer of 2016, Aryeh participated in the Merola Opera Program at San Francisco Opera, and in the summer of 2017, Aryeh will join Wolf Trap Opera as a Studio Artist.
In the 2017-2018 season, he joins the Houston Grand Opera Studio, as the first countertenor in the Studio’s history, where he will sing Nireno in Handel’s Giulio Cesare and Maid in Strauss’ Elektra. He will also join American Bach Soloists for our 20th annual performances of Handel’s Messiah in San Francisco’s Grace Cathedral. Upon hearing the news of Aryeh’s Met Grand Finals win, ABS Music Director Jeffrey Thomas happily recounted working with Aryeh in August, 2015:
“His singing of the Agnus Dei in Bach’s Mass in B Minor was unforgettable, so heartfelt, beautiful, and moving. It was tremendously exciting to work with such a young artist with immeasurable talent. Our Academy voice faculty were equally thrilled, and I am overjoyed that our audiences will hear this phenomenal vocalist during our December 2017 performances of Handel’s Messiah in San Francisco’s Grace Cathedral and at the Robert & Margrit Mondavi Center for the Arts at UC Davis.”
Aryeh made his European debut at the Theater an der Wien in Vienna, Austria, singing the primo uomo role of Timante in Gluck’s Demofonte with baroque ensemble Il Complesso Barocco, under the baton of maestro Alan Curtis.
His opera roles also include Nerone in Monteverdi’s L’incoronazione di Poppea, Raphael (The Angel) in Jonathan Dove’s Tobias and the Angel, and Cefalo in Cavalli’s Gli Amori di Apollo e Dafne. Further, Aryeh has significant experience in the world of sacred music – highlights include serving as the alto soloist in a performance of the Bach Magnificat with the Leipzig Barockorchester in the Thomaskirche in Leipzig, Germany. During his senior year at Princeton University, Aryeh became the first singer to win the Princeton University Concerto Competition in a decade.
Currently residing in New York City, he received his BA in 2015 from Princeton University, where he majored in History (with a concentration in Intellectual and Cultural History) and received certificates in Vocal Performance and Judaic Studies. Upon graduating, he was awarded Princeton’s Isidore and Helen Sacks Memorial Prize for extraordinary achievement in the arts, granted each year to the student of greatest promise in the performance of classical music. He has spent extended time studying with ABS Academy faculty member Max van Egmond in Amsterdam, and he currently studies with Dr. Robert C. White, Jr. in New York.
For more information, please visit Aryeh’s website: aryehnussbaumcohen.com