NOLA RICHARDSON (soprano), a Partcipant in the ABS Academy in 2012, and 2013, has received attention for the "precision and clarity" of her voice and the sensitivity of her interpretations, particularly in the Baroque repertoire. Her operatic roles include Susanna in Le Nozze di Figaro and Madame Silberklang in Der Schauspieldirektor with Bel Cantanti Opera, Pamina in Die Zauberflöte with Maryland Concert Opera, Gianetta in L'elisir D'amore with Emerald City Opera, Calisto in La Calisto with Peabody Opera Theater, the Child in Lux et Tenebrae with The Figaro Project (a world premiere), and the Dew Fairy and Gretel (cover) in Hansel and Gretel with Chesapeake Chamber Opera and Maryland Concert Opera.

In addition to her operatic work, Ms. Richardson frequently appears in concerts throughout the United States. She presents recitals of Medieval, Renaissance and Baroque music which have included performances for the opening of the exhibit Treasures of Heaven: Saints, Relics and Devotion in Medieval Europe at the Walters Art Gallery and a featured performance in the Boston Early Music Fringe Festival. She has performed Bach's Mass in B Minor with the American Bach Soloists Academy and the Bach Concert Series, Schubert's Mass in G Major and Handel's Messiah with Hood College and the US Naval Academy, Bach's Jauchzett Gott in Allen Landen with the Bach Sinfonia, and Haydn’s Seven Last Words of Christ at the Cathedral of the Incarnation. Ms. Richardson also has appeared as a soloist with Tempesta di Mare and recently performed in concert as part of the Early Music Series at the Walters with trumpeter Andrew Balio of the BSO featuring virtuosic Baroque repertoire for trumpet and soprano. Ms. Richardson also performs as a member of the medieval ensemble, Eya, and her voice can be heard on the recording, Concerto delle Donne with Heaven’s Noyse Present the Music of Chiara Margarita Cozzolani. She is the official cantor of the Cathedral of the Incarnation and the Episcopalian Diocese of Maryland and she frequently performs as a professional chorister and soloist with the Baltimore Choral Arts Society, Chantry, and Cathedra, at the Washington National Cathedral.

Ms. Richardson will be releasing her first album of lute songs with John Armato in June. This summer she will appear as a young artist and cover the title role in the Boston Early Music Festival’s production of Handel’s Almira and return for a second season with the American Bach Soloists Academy.

She has taught voice for over six years, combining pedagogy studies with performance experience, and considers teaching to be a valuable part of her career as a musician. She has presented workshops to singers from all over Maryland on choral diction and vocal technique. She holds two Master of Music degrees in Vocal Performance/Pedagogy and Early Music from the Peabody Conservatory, and has studied under sopranos Phyllis Bryn-Julson and Ah Hong.

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