JUDITH MALAFRONTE (alto) has appeared with numerous orchestras and oratorio societies including the Los Angeles Philharmonic at the Hollywood Bowl, the San Francisco Symphony, the St. Louis and Baltimore Symphonies, the St. Paul Chamber Orchestra, Seattle Baroque Orchestra, and the Handel and Haydn Society. She has sung at the Tanglewood Festival, the Boston Early Music Festival, and the Utrecht Early Music Festival, and is a frequent guest artist with the American Bach Soloists, Philharmonia Baroque Orchestra, the Dave Brubeck Quartet, and The Harp Consort. Her operatic performances have included the title role in Handel's Serse at the Göttingen Festival, Scarlatti's L'Aldimiro at the Berkeley Festival, Dido and Aeneas with Mark Morris Dance Group (singing both Dido and the Sorceress), and Nero in Monteverdi's L'Incoronazione di Poppea for the Aston Magna Festival. She has also sung leading roles at the opera houses of Lyon, Liège, and Montpellier. Ms. Malafronte has won several top awards in Italy, Spain, Belgium, and the United States, including the Grand Prize at the International Vocal Competition in 's‑Hertogenbosch, The Netherlands. She holds degrees with honors from Vassar College and Stanford University, and pursued post-graduate studies at the Eastman School of Music, with Mlle. Nadia Boulanger in Paris, and with Giulietta Simionato in Milan as a Fulbright scholar. She has recorded a wide range of repertoire, from the twelfth century chant of Hildegard von Bingen to the Deutsche Motette of Richard Strauss, including Handel operas, Bach cantatas, and the St. Matthew Passion with American Bach Soloists, medieval music, and Spanish 17th-century music. Ms. Malafronte's writings on music have appeared in Opera News, Early Music America, Stagebill, Schwann Inside, and Opus, and she is on the faculty at Yale University where she conducts the Yale Collegium Singers.